![]() The aforementioned Opacity II is exemplary in this regard, with its pre-prepared (and pre-mixed) textured pads able to be scaled seamlessly, while the sequence loops, swells and pads can yield stunning guitar atmospheres it would take days to carve. Sound aside, many of these types of virtual guitar plugin will contain pre-played phrases, riffs and licks that are triggered like any other sample, but if you were wanting to create your own, note-by-note, you’d be advised to take a look at the individual expressive capabilities of the suite. ![]() While both are technically guitar packs, they cater for very different audiences. Impact Soundworks’ Shreddage for example, is aimed at those wanting a pounding metal thrash, while the affecting, delayed licks found in Audiomodern’s Opacity II heavily vie to be used in a Nordic murder mystery soundtrack. You’ll find that, as a general rule, they’ve all been tailored for a specific sonic purpose. ![]() While it’s definitely the case that you now don’t actually need a real guitar in order to work the instrument in your mix, you really do need to make sure that you listen carefully to the sound of the legion of virtual guitar VSTs for sale before you part with your cash.
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